Rhythm exercise 2-4 |
Single syncopation with ending
| Featured figures |
Name |
Symbols |
Duration |
Two eighth notes tied to two eighth notes |
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½ beat, one beat, ½ beat |
One eighth note, one quarter note, one eighth note |
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½ beat, one beat, ½ beat |
two eighth notes, one eighth note rest, one eighth note |
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½ beat, ½ beat, ½ beat, ½ beat |
Graphic representation |
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This figure includes a syncopation.
Upbeats Now, lengthen each note so that the sound is sustained up to the next one.
Syncopations As you can see, the second part of each note is marked by the fall of the following beat, especially since your foot hits at the same moment. |
Introduction |
Two ways to write syncopations |
The syncopated note can be represented in two manners:
Since rhythm is supposed to be written beat by beat, the grouped notation violates this rule. |
| Syncopation is a very recent event in human evolution. Even if some can be found in medieval music and before, it is in the twentieth century that syncopation has known its phenomenal development. |
Syncopation in history |
How to |
A: Start by doing this rhythm, using the syllable "Ta".
B: Remove the "T" from the third "Ta".
C: Hold the second "Ta".
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The first two give identical results. Some notes are shorter in the third. Note: there are no syncopations in the third version. |
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You may have |
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| Tempo 70 bpm | Tempo 100 bpm | Tempo 130 bpm |
| Count 1, 2, 3, 4, before you start |



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