Rhythm exercise 3-1 |
The master figure of the ternary division
| Featured figures |
Name |
Symbols |
Duration |
One dotted quarter note |
One beat |
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One dotted quarter note rest |
One beat |
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Three eighth notes |
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1/3 of a beat, 1/3 of a beat, 1/3 of a beat |
Graphic representation |
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Ternary music covers all what the binary has left aside, or about 6%. |
The |
Triplets |
Part of the incomprehension surrounding ternary rhythms comes from triplets.
They are grouped with brackets and crowned with a 3. |
Writing ternary rhythms |
One has to admit that that the way ternary rhythm is written is lame, since the basic organization of rhythmic values is binary.
The system had to be adapted for ternary music and uses dotted figures for durations of one beat and more.
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| Waltzes are representative of the confusion around ternary music. All waltzes are ternary. Most of them have four beats per bar. The popular saying goes that waltzes have three beats and it is wrong When people count 1, 2, 3, 1, 2, 3, ..., they are doing the ternary division since they place their foot on each 1. The mix-up comes from the fact that waltzes are traditionally badly notated. They are written in 3/4 time with the mention "Tempo di valse"placed at the top of the sheet music. This tells the musicians to consider each bar as a single beat. |
Waltzes |
How to |
A: Count 1, 2, 3, 1, 2, 3, aloud, making sure you space the numbers equally, be curt and precise.
B: Beat your foot on number 1 only.
C: Say Ta, Ta, Ta, instead of 1, 2, 3.
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You may have |
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| Tempo 80 bpm | Tempo 110 bpm | Tempo 140 bpm |
| Count 1, 2, 3, 4, before you start |

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